Like a language, Tranqulizer's music could belong to no one other than Oneohtrix Point Never. We hear flashes of a cosmic past again, echoes of a memory archive crumbling in time, somewhere between analog and the advent of digital, or perhaps both at the same time. After a long discography that proposed enormous and fabulous possibilities, Daniel Lopatin continues to refine processes and improve results, seeming to make easy, weightless music, with a restless freedom to reject architectures and formats, in acts of aesthetic abundance. An unstoppable creativity that makes him fundamental to the creation of the best soundtracks for TV and film, or to mine in the studio the ideas of planetary artists like FKA Twigs or The Weeknd — how lucky we are! — but who insists on wanting to show us his records, his music, in person, in a room, on a stage; And, thanks to the brilliant art of Freeka Tet, to showcase it with images of equal audacity and delirium.