The music of this transnational trio (Swiss, Austrian and Polish) has been labelled power jazz and jazzcore, but there’s also a schizoid combination of melodic free jazz, punk, electronic environmentalism, a hint of cowboy music and some vague progressive rock. One clear reference is the band Morphine, re ected in Bond’s use of a two-string bass guitar. The di erences come later, with Lucien Dubuis playing bass and contrabass clarinet and Alfred Vogel’s drum set being composed of objects recovered from a scrap yard, all resulting in raw, spontaneous and intense music with dark undertones.